Fuzz Club 2026

Among the first names announced are festival headliners W.I.T.C.H (We Intend To Cause Havoc). Known as the “Zambian Beatles,” W.I.T.C.H were the founding force behind the Zamrock movement of the ’70s and early ’80s and have continued to captivate audiences since reforming just over a decade ago. Met with ever-growing, rapturous crowds, their return has also brought the first new W.I.T.C.H music in decades with 2023’s Zango and this year’s SOGOLO.

Brooklyn noise-rock juggernauts A Place To Bury Strangers return nearly eight years after tearing up the festival’s first edition in 2018, leaving ears ringing ever since. Formed in 2003 from Oliver Ackermann’s psychotropic vision, the band quickly became a force of beautiful chaos. Often called the loudest band in New York, APTBS are known for live shows filled with blinding visuals, experimental sonic warfare, and the occasional bit of stage destruction. On record, it’s pop hooks tangled in the sounds of broken machinery and syrupy distortion.

Danish stoner-psych outfit Causa Sui will make a rare live appearance this year, celebrating twenty years since their debut. Their sound has been described as a giant wave rolling through the last four decades of rock, blending groove-heavy jams reminiscent of Grateful Dead with ambient textures, cinematic scope, and a clear nod to early 70s German Krautrock (think Ash Ra Tempel, Can, and Popol Vuh). After the tropical haze of Szabodelico and the kaleidoscopic sprawl of From The Source, they return with In Flux, a 50-minute journey of fluid grooves, chiming guitars, and psychedelic keys that flow from pastoral calm to cosmic intensity.

Minami Deutsch channel the motorik spirit of Can, Neu! and Kraftwerk into something entirely their own. The Japanese trio blend krautrock and psychedelia soaked in 70s influences with a touch of modern electronics. The result is a hypnotic swirl of repetitive grooves that suddenly erupt into sizzling fuzz-rock. Formed in 2014 amid the chaos of Tokyo’s streets, the band was quickly picked up by Tokyo Psych Fest. After a few impressive shows here, they’re now ready to bring their mesmerizing live set to Fuzz Club Festival.

The Mexican group Lorelle Meets the Obsolete sound like they’ve raided every corner of the psychedelic attic, from jangly ‘60s folk-rock to fuzzed-out biker jams, and rewired it all through a wall of ‘90s noise and avant-garde electronics. What began as a duo conjuring murky, hypnotic soundscapes out of cramped city apartments in Guadalajara and Mexico City slowly evolved into something stranger and more expansive. After relocating to the calmer landscapes of Baja, their music loosened its grip on traditional psych and moved into more experimental territory, weaving in dub-like space, industrial grit, and an ever-growing love for synths.

Formed in Chicago by partners Josh Condon and Eliza Weber, Glyders make stripped-down rock and roll that feels both lean and lush, humming with a kind of nocturnal mystery. Joined by Joe Seger on drums, they channel classic influences but twist them into something stranger: music that sways and grinds, mellow yet charged, drifting along the backroads of American weirdness.

Fuzz Club is a London-based independent record label established in 2012 that has since become a crucial catalyst in the international psych community. Under Fuzz Club and its recently-launched Bad Vibrations and Rubber Duck imprints, they are home to the likes of The Jesus and Mary Chain, Night Beats, Tess Parks, Crows, The Men, ORB, The Telescopes, Elephant Stone, Beans, The Vacant Lots, C.O.F.F.I.N and The Underground Youth, to name a few. 

They have also previously released music by the likes of The Black Angels, A Place To Bury Strangers, Holy Wave, Dead Skeletons, Alan Vega, Anton Newcombe, Sonic Boom and many more. Over the last few years, their cult following has expanded thanks to an ongoing series of deluxe, highly sought-after King Gizzard & The Lizard Wizard official live bootlegs. After hosting various events and festivals in London in their earlier years, in 2018 they launched the first Fuzz Club Festival held at the Effenaar in Eindhoven. A now-annual two-day celebration of fuzz, reverb and drone, previous editions have brought together music lovers travelling to attend from nearly 40 different countries.